The Rise of a Modern Tradition

When NeAndre Broussard first imagined The Southern Classic seven years ago, he wasn’t thinking about building a viral moment—he was building a movement.

As the founder of Black Menswear, Broussard had already become known for his powerful “Flash Mob” photoshoots: scenes of sharply dressed Black men flooding streets, parks, and plazas across the country in celebration of unity and self-expression. Around the same time, Dallas-based collective The Baddie Brunch was creating empowering spaces for Black women to connect and celebrate one another.

Guests are greeted with style at the Annual Southern Classic, celebrating Black excellence in Dallas, Texas. Credit: Courtesy The Southern Classic

“So from that, we reached out and said, ‘You know, we’re doing for men what you’re doing for women. Let’s come together and do something special,’” Broussard recalls. “At that time, there weren’t really a lot of spaces for upwardly mobile Black professionals to get together—without it being the club or a boring networking event.”

That collaboration birthed The Southern Classic—an elegant, open-air affair that merges style with substance. Inspired by the sophistication of New York’s Polo Classic and the Southern charm of the Kentucky Derby, the event has become a Dallas staple. Each year, over 600 Black professionals, creatives, and entrepreneurs gather for an evening of music, fashion, and connection at Strauss Square in the Dallas Arts District.

“It’s What We Deserve”

What began as an idea for a safe space to vibe and connect has matured into a symbol of Black joy and sophistication.

“This is really about creating what we deserve,” Broussard says. “A stress-free environment where we can show up as our full selves—dressed to the nines, surrounded by people who reflect our excellence.”

Now entering its seventh year, the Southern Classic’s growth mirrors the evolution of Dallas itself—a city that has become a magnet for young Black professionals seeking opportunity and culture.

“Dallas is such a transplant city,” Broussard notes. “When I got here for college, downtown was just a freeway. Now it’s booming with jobs, housing, and energy. Millennials aren’t kids anymore—we’re grown, established, and looking for experiences that reflect that.”

That’s where The Southern Classic comes in. A golden-hour party running from 6 to 10 p.m., it offered just the right blend of celebration and sophistication. “You can dance, drink, network, and still be in bed by midnight,” he laughs. “Or hit the after-party if you’re feeling it. Either way, it’s a vibe.”

This Year’s Theme: “Western Luxe”

Each year, The Southern Classic reinvents itself with a new aesthetic. Previous themes have included “A Night in Havana” and “Tropical Paradise.” But this year’s direction—Western Luxe—hits closer to home.

“In Dallas, we’re in the heart of Texas. We’ve never leaned into that fully,” Broussard says. “This year we’re paying homage to where we are—with a luxurious spin on rodeo culture. Think sharp suits with cowboy hats, bolo ties, and wide-brimmed slacks. It’s about honoring the legacy of Black cowboy culture while elevating it.”

The Western Luxe theme also aligns with a broader reclaiming of Southern Black narratives. It acknowledges the past while celebrating the creative, contemporary spirit that defines Dallas today.

Building Community and Opportunity

That message resonates deeply, especially for South Dallas readers who understand the importance of visibility, representation, and belonging. These curated experiences don’t just celebrate Black success—they nurture it.

People come here from L.A. or New York with ideas, with energy. Having a space where they can be seen, connect, and collaborate—that’s invaluable.

Neandre Broussard, founder of Black menswear and The southern classic

It’s evident that Broussard’s goal is to make Dallas a destination for Black creatives and entrepreneurs from across the country. “It’s always dope to see how many people travel here for the weekend,” he says. “Some people came to the Southern Classic for the first time—and then decided to move to Dallas afterward. That’s impact.”

The Southern Classic has also become fertile ground for brand partnerships and business exposure. From local startups to national names, brands that align with the event’s message of empowerment find authentic engagement.

“We’ve seen this new wave of entrepreneurs and influencers moving to Dallas,” Broussard explained. “People come here from L.A. or New York with ideas, with energy. Having a space where they can be seen, connect, and collaborate—that’s invaluable.”

By centering Black culture and excellence, the Southern Classic fosters an economy of visibility—one where Black-owned brands, creatives, and thought leaders thrive.

Consistency Is the Key

Broussard attributes the Southern Classic’s longevity to one principle: purposeful consistency.

“When you know what you’re doing and why you’re doing it, you keep going,” he says. “People might not get it at first, but they come around. Consistency is how you go from an idea to an institution.”

He compared the event’s trajectory to cultural fixtures like the State Fair Classic. “That’s 100 years of legacy,” he says. “We’re only seven in, but that’s the mindset—longevity through consistency.”

The Heart of It All

Ultimately, the Southern Classic was more than a fashion-forward gathering—it was a love letter to Black community, culture, and creativity in Dallas.

This weekend at the AT&T Center downtown, The Southern Classic returned. —Culture met connection, and our community showed up dressed, blessed, and unapologetically fly. Credit: Courtesy The Southern Classic

It’s proof that joy is a form of resistance, that excellence is communal, and that when we create spaces for us, the entire city shines brighter. “It’s not just about a good time,” Broussard says. “It’s about being seen, being heard, and knowing that this—this joy, this unity, this excellence—is ours.”

The post How NeAndre Broussard’s Southern Classic Is Redefining Celebration for Dallas’ Black Professionals appeared first on Dallas Weekly.

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